Enter the Undead Author

Intellectual Property, the Ideology of Authorship, and Performance Practices since the 1960s

Nonfiction, Reference & Language, Law, Patent, Trademark, & Copyright, Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, Entertainment, Theatre, Playwriting

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

More books from Fairleigh Dickinson University Press

bigCover of the book William Ellery Leonard by

bigCover of the book Immigration, Ethnicity, and Class in American Writing, 1830–1860 by

bigCover of the book Pasolini’s Lasting Impressions by

bigCover of the book History and National Ideology in Greek Postmodernist Fiction by

bigCover of the book Nixon in New York by

bigCover of the book Studies in Victorian and Modern Literature by

bigCover of the book Femininity and Authorship in the Novels of Elizabeth von Arnim by

bigCover of the book T. S. Eliot and Christian Tradition by

bigCover of the book Literature, Intertextuality, and the American Revolution by

bigCover of the book Italian Women's Autobiographical Writings in the Twentieth Century by

bigCover of the book Return Narratives by

bigCover of the book The Great Chinese Art Transfer by

bigCover of the book Father–Daughter Incest in Twentieth-Century American Literature by

bigCover of the book Witness in the Era of Mass Incarceration by

bigCover of the book Mary Norton of New Jersey by

We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy