British Art and the First World War, 1914–1924

Nonfiction, History, British, Art & Architecture, General Art
Cover of the book British Art and the First World War, 1914–1924 by James Fox, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James Fox ISBN: 9781316365915
Publisher: Cambridge University Press Publication: July 30, 2015
Imprint: Cambridge University Press Language: English
Author: James Fox
ISBN: 9781316365915
Publisher: Cambridge University Press
Publication: July 30, 2015
Imprint: Cambridge University Press
Language: English

The First World War is usually believed to have had a catastrophic effect on British art, killing artists and movements, and creating a mood of belligerent philistinism around the nation. In this book, however, James Fox paints a very different picture of artistic life in wartime Britain. Drawing on a wide range of sources, he examines the cultural activities of largely forgotten individuals and institutions, as well as the press and the government, in order to shed new light on art's unusual role in a nation at war. He argues that the conflict's artistic consequences, though initially disruptive, were ultimately and enduringly productive. He reveals how the war effort helped forge a much closer relationship between the British public and their art - a relationship that informed the country's cultural agenda well into the 1920s.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The First World War is usually believed to have had a catastrophic effect on British art, killing artists and movements, and creating a mood of belligerent philistinism around the nation. In this book, however, James Fox paints a very different picture of artistic life in wartime Britain. Drawing on a wide range of sources, he examines the cultural activities of largely forgotten individuals and institutions, as well as the press and the government, in order to shed new light on art's unusual role in a nation at war. He argues that the conflict's artistic consequences, though initially disruptive, were ultimately and enduringly productive. He reveals how the war effort helped forge a much closer relationship between the British public and their art - a relationship that informed the country's cultural agenda well into the 1920s.

More books from Cambridge University Press

Cover of the book India before Europe by James Fox
Cover of the book The Law and Business of International Project Finance by James Fox
Cover of the book The Caucasus by James Fox
Cover of the book The Cambridge Companion to Sam Shepard by James Fox
Cover of the book Macroeconomics in Emerging Markets by James Fox
Cover of the book Making Borders in Modern East Asia by James Fox
Cover of the book Optimal Control Theory and Static Optimization in Economics by James Fox
Cover of the book New Perspectives on Malthus by James Fox
Cover of the book Social Movements and Protest by James Fox
Cover of the book Berkeley's A Treatise Concerning the Principles of Human Knowledge by James Fox
Cover of the book South Korea since 1980 by James Fox
Cover of the book Timaeus of Tauromenium and Hellenistic Historiography by James Fox
Cover of the book The Bigamy Plot by James Fox
Cover of the book Conquest and Empire by James Fox
Cover of the book Theories of Political Economy by James Fox
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy