C. P. Snow and the Struggle of Modernity

Biography & Memoir, Reference, Literary
Cover of the book C. P. Snow and the Struggle of Modernity by John de la Mothe, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John de la Mothe ISBN: 9780292758964
Publisher: University of Texas Press Publication: September 6, 2013
Imprint: University of Texas Press Language: English
Author: John de la Mothe
ISBN: 9780292758964
Publisher: University of Texas Press
Publication: September 6, 2013
Imprint: University of Texas Press
Language: English
The condition of modernity springs from that tension between science and the humanities that had its roots in the Enlightenment but reached its full flowering with the rise of twentieth-century technology. It manifests itself most notably in the crisis of individuality that is generated by the nexus of science, literature, and politics, one that challenges each of us to find a way of balancing our personal identities between our public and private selves in an otherwise estranging world. This challenge, which can only be expressed as "the struggle of modernity," perhaps finds no better expression than in C. P. Snow. In his career as novelist, scientist, and civil servant, C. P. Snow (1905-1980) attempted to bridge the disparate worlds of modern science and the humanities. While Snow is often regarded as a late-Victorian liberal who has little to say about the modernist period in which he lived and wrote, de la Mothe challenges this judgment, reassessing Snow's place in twentieth-century thought. He argues that Snow's life and writings—most notably his Strangers and Brothers sequence of novels and his provocative thesis in The Two Cultures and the Scientific Revolution—reflect a persistent struggle with the nature of modernity. They manifest Snow's belief that science and technology were at the center of modern life.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The condition of modernity springs from that tension between science and the humanities that had its roots in the Enlightenment but reached its full flowering with the rise of twentieth-century technology. It manifests itself most notably in the crisis of individuality that is generated by the nexus of science, literature, and politics, one that challenges each of us to find a way of balancing our personal identities between our public and private selves in an otherwise estranging world. This challenge, which can only be expressed as "the struggle of modernity," perhaps finds no better expression than in C. P. Snow. In his career as novelist, scientist, and civil servant, C. P. Snow (1905-1980) attempted to bridge the disparate worlds of modern science and the humanities. While Snow is often regarded as a late-Victorian liberal who has little to say about the modernist period in which he lived and wrote, de la Mothe challenges this judgment, reassessing Snow's place in twentieth-century thought. He argues that Snow's life and writings—most notably his Strangers and Brothers sequence of novels and his provocative thesis in The Two Cultures and the Scientific Revolution—reflect a persistent struggle with the nature of modernity. They manifest Snow's belief that science and technology were at the center of modern life.

More books from University of Texas Press

Cover of the book Andean Cosmopolitans by John de la Mothe
Cover of the book Men as Women, Women as Men by John de la Mothe
Cover of the book Probably Someday Cancer by John de la Mothe
Cover of the book Australia, New Zealand, and the Pacific Islands since the First World War by John de la Mothe
Cover of the book Constructing Identities in Mexican-American Political Organizations by John de la Mothe
Cover of the book Life and Death in the Central Highlands: An American Sergeant in the Vietnam War 1968-1970 by John de la Mothe
Cover of the book Ross Sterling, Texan by John de la Mothe
Cover of the book A Rosario Castellanos Reader by John de la Mothe
Cover of the book Leavin' a Testimony by John de la Mothe
Cover of the book María Izquierdo and Frida Kahlo by John de la Mothe
Cover of the book Worse Than Death by John de la Mothe
Cover of the book The Cultural Life of the Automobile by John de la Mothe
Cover of the book The Cinema of Robert Rodriguez by John de la Mothe
Cover of the book Platero and I by John de la Mothe
Cover of the book The Color of Loss by John de la Mothe
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy