Descent into Madness or Liberation of Self? An Analysis of the final scene of 'The Yellow Wallpaper' by Charlotte Perkins Gilman

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Descent into Madness or Liberation of Self? An Analysis of the final scene of 'The Yellow Wallpaper' by Charlotte Perkins Gilman by Elisabeth Würtz, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Elisabeth Würtz ISBN: 9783640941773
Publisher: GRIN Verlag Publication: June 22, 2011
Imprint: GRIN Verlag Language: German
Author: Elisabeth Würtz
ISBN: 9783640941773
Publisher: GRIN Verlag
Publication: June 22, 2011
Imprint: GRIN Verlag
Language: German

Studienarbeit aus dem Jahr 2009 im Fachbereich Amerikanistik - Literatur, Note: 1,3, Katholische Universität Eichstätt-Ingolstadt, Sprache: Deutsch, Abstract: When 'The Yellow Wallpaper' by Charlotte Perkins Gilman is first published in The New England Magazine in 1892, most readers and critics perceive it to be first and foremost a gothic tale following Poe. Although Gilman is a known activist for women's rights and notwithstanding the so-called woman question as one of the major issues of the 19th century, it is not until the short story's republication in 1973 that a noteworthy number of critics adopt a feminist reading of 'The Yellow Wallpaper'. Among these critics - whether they analyze the short story's formal and stylistic features, prefer a reader-oriented approach or focus on the historical context - one of the most controversially discussed aspects of the short story is its ending : the scene, where Jane, the protagonist , has stripped off the wallpaper to liberate the woman trapped behind it and crawls through the room over her unconscious husband. Some critics, like Quawas, Gilbert and Gunbar claim that the narrator is not insane, but instead achieves a different, elevated state of sanity and truth and therefore consider the ending as something positive, as a victory Jane gains over her husband and the patriarchal society. Others however construe the final scene as a defeat and consider Jane to lose touch with reality and descend into insanity. Hedges, for instance, argues, that the protagonist 'is at the end defeated, totally mad' and Suess constitutes that she is unable to distinguish fantasy from reality and asks how 'living in a state of psychosis [could] be considered triumphant in any way' . Johnson again doubts whether Gilman herself actually fully comprehended the dimensions of her protagonist's madness . So what has really happened to the protagonist? How is the short story's final scene to be understood? Is Jane defeated or does she experience a triumph? Does she lose her mind or liberate her true self?

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Studienarbeit aus dem Jahr 2009 im Fachbereich Amerikanistik - Literatur, Note: 1,3, Katholische Universität Eichstätt-Ingolstadt, Sprache: Deutsch, Abstract: When 'The Yellow Wallpaper' by Charlotte Perkins Gilman is first published in The New England Magazine in 1892, most readers and critics perceive it to be first and foremost a gothic tale following Poe. Although Gilman is a known activist for women's rights and notwithstanding the so-called woman question as one of the major issues of the 19th century, it is not until the short story's republication in 1973 that a noteworthy number of critics adopt a feminist reading of 'The Yellow Wallpaper'. Among these critics - whether they analyze the short story's formal and stylistic features, prefer a reader-oriented approach or focus on the historical context - one of the most controversially discussed aspects of the short story is its ending : the scene, where Jane, the protagonist , has stripped off the wallpaper to liberate the woman trapped behind it and crawls through the room over her unconscious husband. Some critics, like Quawas, Gilbert and Gunbar claim that the narrator is not insane, but instead achieves a different, elevated state of sanity and truth and therefore consider the ending as something positive, as a victory Jane gains over her husband and the patriarchal society. Others however construe the final scene as a defeat and consider Jane to lose touch with reality and descend into insanity. Hedges, for instance, argues, that the protagonist 'is at the end defeated, totally mad' and Suess constitutes that she is unable to distinguish fantasy from reality and asks how 'living in a state of psychosis [could] be considered triumphant in any way' . Johnson again doubts whether Gilman herself actually fully comprehended the dimensions of her protagonist's madness . So what has really happened to the protagonist? How is the short story's final scene to be understood? Is Jane defeated or does she experience a triumph? Does she lose her mind or liberate her true self?

More books from GRIN Verlag

Cover of the book Ehescheidung im moralischen Diskurs by Elisabeth Würtz
Cover of the book Kommunikativer Ansatz by Elisabeth Würtz
Cover of the book Emile Durkheim und Robert K. Merton: Die Anomietheorie - zum Verständnis und zur Fortentwicklung einer Theorie gesellschaftlicher Differenzierung by Elisabeth Würtz
Cover of the book Primäre und Sekundäre Qualitäten bei John Locke by Elisabeth Würtz
Cover of the book Händehygiene (Unterweisung Hauswirtschafter / Hauswirtschafterin) by Elisabeth Würtz
Cover of the book Das Prinzip der informierten Einwilligung des Patienten und Rechtswidrigkeit. Entwicklung und Rechtsprechung in China by Elisabeth Würtz
Cover of the book Bob Dylan als Symbolfigur in den sechziger Jahren by Elisabeth Würtz
Cover of the book Kooperative Entwicklungsprozesse. Die Lehr-Lern-Form Team Teaching (TT) by Elisabeth Würtz
Cover of the book Entwicklung einer Software-Schnittstelle vom Workflowprogramm PowerWork 4 zu einer SQL- Datenbank by Elisabeth Würtz
Cover of the book An Analysis of the Shakespearean Villain in 'Othello' and 'Much Ado About Nothing' by Elisabeth Würtz
Cover of the book Das Frömmigkeitsideal der Heiligen Elisabeth von Thüringen by Elisabeth Würtz
Cover of the book Informations-, Meinungs- und Medienfreiheit by Elisabeth Würtz
Cover of the book Die Verhaltenstherapie - Methoden, Kritikpunkte, Menschenbild by Elisabeth Würtz
Cover of the book Die Wahrheit, nicht der Traum - Französischer Realismus im 19. Jahrhundert mit einem seiner wichtigsten Künstler: Gustave Courbet by Elisabeth Würtz
Cover of the book Ethisch-ökologisches Rating: Eine genauere Betrachtung anhand von zwei marktrelevanten Konzepten by Elisabeth Würtz
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy