Envisioning The Tale of Genji

Media, Gender, and Cultural Production

Fiction & Literature, Literary Theory & Criticism, Asian, Far Eastern, Theory, Nonfiction, Social & Cultural Studies, Social Science
Cover of the book Envisioning The Tale of Genji by , Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780231513463
Publisher: Columbia University Press Publication: July 28, 2008
Imprint: Columbia University Press Language: English
Author:
ISBN: 9780231513463
Publisher: Columbia University Press
Publication: July 28, 2008
Imprint: Columbia University Press
Language: English

Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also take up the issue of gender and cultural authority, looking at the novel's function as a symbol of Heian court culture and as an important tool in women's education. Throughout the volume, scholars discuss achievements in visualization, from screen painting and woodblock prints to manga and anime. Taking up such recurrent themes as cultural nostalgia, eroticism, and gender, this book is the most comprehensive history of the reception of The Tale of Genji to date, both in the country of its origin and throughout the world.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also take up the issue of gender and cultural authority, looking at the novel's function as a symbol of Heian court culture and as an important tool in women's education. Throughout the volume, scholars discuss achievements in visualization, from screen painting and woodblock prints to manga and anime. Taking up such recurrent themes as cultural nostalgia, eroticism, and gender, this book is the most comprehensive history of the reception of The Tale of Genji to date, both in the country of its origin and throughout the world.

More books from Columbia University Press

Cover of the book Virginia Woolf and the Bloomsbury Avant-garde by
Cover of the book Saffron Shadows and Salvaged Scripts by
Cover of the book The Taliban's Virtual Emirate by
Cover of the book Derrida/Searle by
Cover of the book Critical Models by
Cover of the book Active Social Capital by
Cover of the book Soldier Dead by
Cover of the book The Columbia Guide to American Indians of the Southeast by
Cover of the book The Wrath of Capital by
Cover of the book Black Gods of the Asphalt by
Cover of the book Cinema by Design by
Cover of the book The Elements of Academic Style by
Cover of the book Bollywood by
Cover of the book Growth and Policy in Developing Countries by
Cover of the book Torn at the Roots by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy