Forgetful Muses

Reading the Author in the Text

Fiction & Literature, Literary Theory & Criticism
Cover of the book Forgetful Muses by Ian Lancashire, University of Toronto Press, Scholarly Publishing Division
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ian Lancashire ISBN: 9781442660236
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: December 11, 2010
Imprint: Language: English
Author: Ian Lancashire
ISBN: 9781442660236
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: December 11, 2010
Imprint:
Language: English

How can we understand and analyze the primarily unconscious process of writing? In this groundbreaking work of neuro-cognitive literary theory, Ian Lancashire maps the interplay of self-conscious critique and unconscious creativity.

Forgetful Muses shows how a writer's own 'anonymous,' that part of the mind that creates language up to the point of consciousness, is the genesis of thought. Those thoughts are then articulated by an author's inner voice and become subject to critique by the mind's 'reader-editor.' The 'reader-editor' engages with the 'anonymous,' which uses this information to formulate new ideas. Drawing on author testimony, cybernetics, cognitive psychology, corpus linguistics, text analysis, the neurobiology of mental aging, and his own experiences, Lancashire's close readings of twelve authors, including Caedmon, Chaucer, Coleridge, Joyce, Christie, and Atwood, serve to illuminate a mystery we all share.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How can we understand and analyze the primarily unconscious process of writing? In this groundbreaking work of neuro-cognitive literary theory, Ian Lancashire maps the interplay of self-conscious critique and unconscious creativity.

Forgetful Muses shows how a writer's own 'anonymous,' that part of the mind that creates language up to the point of consciousness, is the genesis of thought. Those thoughts are then articulated by an author's inner voice and become subject to critique by the mind's 'reader-editor.' The 'reader-editor' engages with the 'anonymous,' which uses this information to formulate new ideas. Drawing on author testimony, cybernetics, cognitive psychology, corpus linguistics, text analysis, the neurobiology of mental aging, and his own experiences, Lancashire's close readings of twelve authors, including Caedmon, Chaucer, Coleridge, Joyce, Christie, and Atwood, serve to illuminate a mystery we all share.

More books from University of Toronto Press, Scholarly Publishing Division

Cover of the book Memoirs and Reflections by Ian Lancashire
Cover of the book Being Maori in the City by Ian Lancashire
Cover of the book Inhabited Spaces by Ian Lancashire
Cover of the book Private Profits versus Public Policy by Ian Lancashire
Cover of the book Canadian Cinema Since the 1980s by Ian Lancashire
Cover of the book Dimensions of Urban Social Structure by Ian Lancashire
Cover of the book Garcilaso de la Vega and the Material Culture of Renaissance Europe by Ian Lancashire
Cover of the book Watching YouTube by Ian Lancashire
Cover of the book A Gentlewoman in Upper Canada by Ian Lancashire
Cover of the book The Platonian Leviathan by Ian Lancashire
Cover of the book Encounters on the Passage by Ian Lancashire
Cover of the book Mirror of Minds by Ian Lancashire
Cover of the book Writing the Yugoslav Wars by Ian Lancashire
Cover of the book Surfacing the Politics of Desire by Ian Lancashire
Cover of the book Punishment and the History of Political Philosophy by Ian Lancashire
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy