Invisible Now: Bob Dylan in the 1960s

Nonfiction, Entertainment, Music, Pop & Rock, Rock, Music Styles
Cover of the book Invisible Now: Bob Dylan in the 1960s by John Hughes, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Hughes ISBN: 9781317113010
Publisher: Taylor and Francis Publication: May 6, 2016
Imprint: Routledge Language: English
Author: John Hughes
ISBN: 9781317113010
Publisher: Taylor and Francis
Publication: May 6, 2016
Imprint: Routledge
Language: English

Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.

More books from Taylor and Francis

Cover of the book The Planning Imagination by John Hughes
Cover of the book Principles Of Comparative Psychology by John Hughes
Cover of the book Learning for Leadership by John Hughes
Cover of the book Sexy Bodies by John Hughes
Cover of the book Mental Health and Spirituality in Later Life by John Hughes
Cover of the book The Therapist's Notebook on Positive Psychology by John Hughes
Cover of the book The Elements of International English Style by John Hughes
Cover of the book Pollution Control and the Pattern of Trade by John Hughes
Cover of the book Management Practice and Mispractice by John Hughes
Cover of the book Escalation in Decision-Making by John Hughes
Cover of the book From Constantine to Julian: Pagan and Byzantine Views by John Hughes
Cover of the book Ethnicity and Democratisation in the New Europe by John Hughes
Cover of the book The Wealth of Communities by John Hughes
Cover of the book Psychological Modeling by John Hughes
Cover of the book Sucesos de las Islas Filipinas, 1609, by Antonio de Morga by John Hughes
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy