Literary Mischief

Sakaguchi Ango, Culture, and the War

Fiction & Literature, Literary Theory & Criticism, Asian, Nonfiction, History, Japan, Military, World War II
Cover of the book Literary Mischief by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky ISBN: 9780739138687
Publisher: Lexington Books Publication: April 30, 2010
Imprint: Lexington Books Language: English
Author: James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
ISBN: 9780739138687
Publisher: Lexington Books
Publication: April 30, 2010
Imprint: Lexington Books
Language: English

Sakaguchi Ango (1906-1955) was a writer who thrived on iconoclasm and agitation. He remains one of the most creative and stimulating thinkers of twentieth-century Japan. Ango was catapulted into the public consciousness in the months immediately following Japan's surrender to the Allied Forces in 1945. The energy and iconoclasm of his writings were matched by the outrageous and outsized antics of his life. Behind that life, and in the midst of those tumultuous times, Ango spoke with a cutting clarity. The essays and translations included in Literary Mischief probe some of the most volatile issues of culture, ideology, and philosophy of postwar Japan. Represented among the essayists are some of Japan's most important contemporary critics (e.g., Karatani K?jin and Ogino Anna). Many of Ango's works were produced during Japan's wars in China and the Pacific, a context in which words and ideas carried dire consequences for both writers and readers. All of the contributions to this volume consider this dimension of Ango's legacy, and it forms one of the thematic threads tying the volume together. The essays use Ango's writings to situate his accomplishment and contribute to our understanding of the potentials and limitations of radical thought in times of cultural nationalism, war, violence, and repression. This collection of essays and translations takes advantage of current interest in Sakaguchi Ango's work and makes available to the English-reading audience translations and critical work heretofore unavailable. As a result, the reader will come away with a coherent sense of Ango the individual and the writer, a critical apparatus for evaluating Ango, and access to new translations of key texts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sakaguchi Ango (1906-1955) was a writer who thrived on iconoclasm and agitation. He remains one of the most creative and stimulating thinkers of twentieth-century Japan. Ango was catapulted into the public consciousness in the months immediately following Japan's surrender to the Allied Forces in 1945. The energy and iconoclasm of his writings were matched by the outrageous and outsized antics of his life. Behind that life, and in the midst of those tumultuous times, Ango spoke with a cutting clarity. The essays and translations included in Literary Mischief probe some of the most volatile issues of culture, ideology, and philosophy of postwar Japan. Represented among the essayists are some of Japan's most important contemporary critics (e.g., Karatani K?jin and Ogino Anna). Many of Ango's works were produced during Japan's wars in China and the Pacific, a context in which words and ideas carried dire consequences for both writers and readers. All of the contributions to this volume consider this dimension of Ango's legacy, and it forms one of the thematic threads tying the volume together. The essays use Ango's writings to situate his accomplishment and contribute to our understanding of the potentials and limitations of radical thought in times of cultural nationalism, war, violence, and repression. This collection of essays and translations takes advantage of current interest in Sakaguchi Ango's work and makes available to the English-reading audience translations and critical work heretofore unavailable. As a result, the reader will come away with a coherent sense of Ango the individual and the writer, a critical apparatus for evaluating Ango, and access to new translations of key texts.

More books from Lexington Books

Cover of the book Academic Freedom at American Universities by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Myths of the Cold War by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Peace-Building by, between, and beyond Muslims and Evangelical Christians by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Screening Minors in Latin American Cinema by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Transnational Roots of the Civil Rights Movement by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book The American Philosopher by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Perversion and the Art of Persecution by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Rationality within Modern Psychological Theory by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book The Criminalization of States by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Globalization, Gender Politics, and the Media by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Getting the Holy Ghost by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Race, Class, and Gentrification in Brooklyn by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book Transcendental Guilt by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book The Mediation of Poverty by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
Cover of the book The Secret Life of the Cheating Wife by James Dorsey, Douglas Slaymaker, Ogino Anna, Karatani Kojin, Robert Steen, Doug Slaymaker, University of Kentucky
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy