Naamiwan's Drum

The Story of a Contested Repatriation of Anishinaabe Artefacts

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Native American Studies, History, Americas, Native American, Art & Architecture, Art History
Cover of the book Naamiwan's Drum by Maureen  Matthews, University of Toronto Press, Scholarly Publishing Division
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Author: Maureen Matthews ISBN: 9781442622449
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: January 6, 2017
Imprint: Language: English
Author: Maureen Matthews
ISBN: 9781442622449
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: January 6, 2017
Imprint:
Language: English

Naamiwan’s Drum follows the story of a famous Ojibwe medicine man, his gifted grandson, and remarkable water drum. This drum, and forty other artefacts, were given away by a Canadian museum to an American Anishinaabe group that had no family or community connections to the collection. Many years passed before the drum was returned to the family and only about half of the artefacts were ever returned to the museum.

Maureen Matthews takes us through this astonishing set of events from multiple perspectives, exploring community and museum viewpoints, visiting the ceremonial group leader in Wisconsin, and finally looking back from the point of view of the drum. The book contains a powerful Anishinaabe interpretive perspective on repatriation and on anthropology itself. Containing fourteen beautiful colour illustrations, Naamiwan’s Drum is a compelling account of repatriation as well as a cautionary tale for museum professionals.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Naamiwan’s Drum follows the story of a famous Ojibwe medicine man, his gifted grandson, and remarkable water drum. This drum, and forty other artefacts, were given away by a Canadian museum to an American Anishinaabe group that had no family or community connections to the collection. Many years passed before the drum was returned to the family and only about half of the artefacts were ever returned to the museum.

Maureen Matthews takes us through this astonishing set of events from multiple perspectives, exploring community and museum viewpoints, visiting the ceremonial group leader in Wisconsin, and finally looking back from the point of view of the drum. The book contains a powerful Anishinaabe interpretive perspective on repatriation and on anthropology itself. Containing fourteen beautiful colour illustrations, Naamiwan’s Drum is a compelling account of repatriation as well as a cautionary tale for museum professionals.

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