Parmigianino: Drawings Colour Plates

Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Drawing, Art & Architecture, General Art
Cover of the book Parmigianino: Drawings Colour Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892543553
Publisher: Maria Peitcheva Publication: January 15, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892543553
Publisher: Maria Peitcheva
Publication: January 15, 2016
Imprint:
Language: English

Girolamo Francesco Maria Mazzola (also known as Parmigianino ("the little one from Parma") was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form. Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist's hand attracted Parmigianino, a master of elegant figure drawing. Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Girolamo Francesco Maria Mazzola (also known as Parmigianino ("the little one from Parma") was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form. Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist's hand attracted Parmigianino, a master of elegant figure drawing. Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.

More books from Maria Peitcheva

Cover of the book Schischkin: Drawings Colour Plates by Maria Peitcheva
Cover of the book Michelangelo: 240 Colour Plates by Maria Peitcheva
Cover of the book Modigliani: Drawings 102 Colour Plates by Maria Peitcheva
Cover of the book Rubens: 265 Plates by Maria Peitcheva
Cover of the book Cranach: Drawings Colour Plates by Maria Peitcheva
Cover of the book Camille Corot: Drawings 114 Colour Plates by Maria Peitcheva
Cover of the book Auguste Renoir: 320 Plates by Maria Peitcheva
Cover of the book Torii Kiyonaga: Colour Plates by Maria Peitcheva
Cover of the book Constable: Drawings 123 Colour Plates by Maria Peitcheva
Cover of the book John Sargent: 260 Plates by Maria Peitcheva
Cover of the book George Bellows: Drawings Colour Plates by Maria Peitcheva
Cover of the book Fragonard: Drawings Colour Plates by Maria Peitcheva
Cover of the book Frederic Leighton: Drawings Colour Plates by Maria Peitcheva
Cover of the book Adolph Menzel: Drawings Colour Plates by Maria Peitcheva
Cover of the book Arthur Davies: 195 Colour Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy