Stereotypes about Northerners are reinforced in the scene Rodrigo's Concierto de Aranjuez in the film 'Brassed Off'

Nonfiction, Reference & Language, Study Aids, ESL, Foreign Languages
Cover of the book Stereotypes about Northerners are reinforced in the scene Rodrigo's Concierto de Aranjuez in the film 'Brassed Off' by Julia Wehner, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julia Wehner ISBN: 9783656142874
Publisher: GRIN Verlag Publication: February 29, 2012
Imprint: GRIN Verlag Language: English
Author: Julia Wehner
ISBN: 9783656142874
Publisher: GRIN Verlag
Publication: February 29, 2012
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Duisburg-Essen, language: English, abstract: Stereotypes are human nature and can never be avoided completely. However, stereotypes about Northern England and Northerners seem to be particularly deep-rooted and longlasting. There is general agreement that they date from the 18th and 19th century when Northern England was the starting point of the Industrial Revolution (Jewell 2). 'When we speak of stereotyped characters we are dealing, in particular, with [...] traditions deriving from the effects of the Industrial Revolution' (Morris 9). The stereotypical 'Northerners' are working-class people, not well educated, and their lives are full of struggle and conflict. According to many preconceptions a male Northerner is unhealthy, badly dressed and frank about sex. Further cliché attributes are pragmatic, direct and even rude, but also downto- earth, passionate and heartily. Northerners feel alienated from the government in the 'centre' London and distinguish between 'us' and 'them' which creates to a strong sense of community. In today's pop culture these stereotypes are predominantly media-transmitted. By using a certain mode of presenting Northern English reality and its inhabitants stereotypes are rather reinforced than replaced in the media. Hence, there is a specific pattern used to reinforce stereotypes about Northern England and Northerners in films such as in the film 'Brassed off'. The most striking features that intensify these clichés in 'Brassed off' are setting, language, protagonists and 4 topics. All these characteristics can be found in the scene when the Grimley Colliery Band practices Rodrigo's 'Concierto de Aranjuez'; thus this scene reinforces stereotypes about Northern England to a large extent.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Duisburg-Essen, language: English, abstract: Stereotypes are human nature and can never be avoided completely. However, stereotypes about Northern England and Northerners seem to be particularly deep-rooted and longlasting. There is general agreement that they date from the 18th and 19th century when Northern England was the starting point of the Industrial Revolution (Jewell 2). 'When we speak of stereotyped characters we are dealing, in particular, with [...] traditions deriving from the effects of the Industrial Revolution' (Morris 9). The stereotypical 'Northerners' are working-class people, not well educated, and their lives are full of struggle and conflict. According to many preconceptions a male Northerner is unhealthy, badly dressed and frank about sex. Further cliché attributes are pragmatic, direct and even rude, but also downto- earth, passionate and heartily. Northerners feel alienated from the government in the 'centre' London and distinguish between 'us' and 'them' which creates to a strong sense of community. In today's pop culture these stereotypes are predominantly media-transmitted. By using a certain mode of presenting Northern English reality and its inhabitants stereotypes are rather reinforced than replaced in the media. Hence, there is a specific pattern used to reinforce stereotypes about Northern England and Northerners in films such as in the film 'Brassed off'. The most striking features that intensify these clichés in 'Brassed off' are setting, language, protagonists and 4 topics. All these characteristics can be found in the scene when the Grimley Colliery Band practices Rodrigo's 'Concierto de Aranjuez'; thus this scene reinforces stereotypes about Northern England to a large extent.

More books from GRIN Verlag

Cover of the book Leid - Warum lässt Gott das zu? by Julia Wehner
Cover of the book Jean-Jacques Rousseau - Widerspruch oder Stringenz? by Julia Wehner
Cover of the book Das wahrgenommene Risiko von Online-Leistungsangeboten: Dimensionen, Einflussgrößen und Ansatzpunkte einer Risikoreduktion durch den Anbieter by Julia Wehner
Cover of the book Waldorfpädagogik by Julia Wehner
Cover of the book Unternehmensinsolvenzen in Deutschland und Großbritannien by Julia Wehner
Cover of the book Fitnesstraining einer berufstätigen Frau um die 25 Jahre by Julia Wehner
Cover of the book Tradition und Kultur: T.S. Eliots Ansatz im Bezug auf Dichtung und Literaturkritik by Julia Wehner
Cover of the book Probleme der Nafion®-Membranen in Protonenaustauschmembran-Brennstoffzellen und ihre Lösungen by Julia Wehner
Cover of the book Die europäische Kommission - Insitution und Aktualität by Julia Wehner
Cover of the book Analyzing the takeover of CONTINENTAL by the SCHAEFFLER GROUP from a strategic management point of view by Julia Wehner
Cover of the book Interkulturelle Kompetenz in der Wirtschaft. Landestypische Verhaltensstandards und Kommunikationsweisen in Indonesien by Julia Wehner
Cover of the book Systemische Therapie und Beratung in Theorie und Praxis by Julia Wehner
Cover of the book The Language Portfolio and Its Contribution to Learner Autonomy and Intrinsic Motivation in the EFL by Julia Wehner
Cover of the book Erlebnispädagogik mit störenden Schülern by Julia Wehner
Cover of the book Höflichkeit im geschichtlichen Kontext. Von der Antike bis zur Neuzeit by Julia Wehner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy