The Book of Esther and the Typology of Female Transfiguration in American Literature

Nonfiction, Religion & Spirituality, Christianity, Christian Literature, Fiction & Literature, Literary Theory & Criticism, American
Cover of the book The Book of Esther and the Typology of Female Transfiguration in American Literature by Ariel Clark Silver, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ariel Clark Silver ISBN: 9781498564793
Publisher: Lexington Books Publication: November 30, 2017
Imprint: Lexington Books Language: English
Author: Ariel Clark Silver
ISBN: 9781498564793
Publisher: Lexington Books
Publication: November 30, 2017
Imprint: Lexington Books
Language: English

The enduring search for female salvation in American literature is first expressed through typology, an interpretive framework that pairs type with antitype, historical scriptural promise with future spiritual fulfillment. When Cotton Mather invokes the typos of Esther in Ornaments of the Daughters of Zion, a Puritan conduct book, he offers a female type of divine wisdom, authority and force. In the biblical Book of Esther, Esther acts as a female type of wisdom and redemption, but her story also engages the larger history of Hebrew salvation. In nineteenth-century America, Margaret Fuller seeks to extend the spiritual claims once made by Mather and establish the role of the divine female in the salvation of American culture and society. Fuller supplants the type of male sacrifice with a type of female transfiguration in works such as Woman in the Nineteenth Century. Nathaniel Hawthorne then transforms these iconoclastic ideals into literary life by engaging the multi-faceted figure of Esther as a typos of female redemption and salvation in “Legends of the Province House,” The Scarlet Letter, The Blithedale Romance, and The Marble Faun. Through his female characters -- Esther Dudley, Hester Prynne, Zenobia, and Miriam -- he seeks to fulfill the divine destiny of the American woman. Hawthorne discovers, however, that female redemption is followed by revenge, as Esther turns from saving her people to ensuring an end to their oppression. When Henry Adams later revives Esther Dudley in his novel Esther, he rejects male redemption for the American woman. In Democracy, Esther, Mont Saint Michel, and The Education of Henry Adams, Adams envisions an independent, eternal woman who can rival the political, scientific, artistic, and theological power of men. The movement from male to female salvation is achieved when the terms of female redemption are transformed and the American woman is established as her own source of divine wisdom, power, retribution, and force. The typology of female transfiguration in America is fulfilled by Fuller, Hawthorne, and Adams through the promise extended by the type of Esther.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The enduring search for female salvation in American literature is first expressed through typology, an interpretive framework that pairs type with antitype, historical scriptural promise with future spiritual fulfillment. When Cotton Mather invokes the typos of Esther in Ornaments of the Daughters of Zion, a Puritan conduct book, he offers a female type of divine wisdom, authority and force. In the biblical Book of Esther, Esther acts as a female type of wisdom and redemption, but her story also engages the larger history of Hebrew salvation. In nineteenth-century America, Margaret Fuller seeks to extend the spiritual claims once made by Mather and establish the role of the divine female in the salvation of American culture and society. Fuller supplants the type of male sacrifice with a type of female transfiguration in works such as Woman in the Nineteenth Century. Nathaniel Hawthorne then transforms these iconoclastic ideals into literary life by engaging the multi-faceted figure of Esther as a typos of female redemption and salvation in “Legends of the Province House,” The Scarlet Letter, The Blithedale Romance, and The Marble Faun. Through his female characters -- Esther Dudley, Hester Prynne, Zenobia, and Miriam -- he seeks to fulfill the divine destiny of the American woman. Hawthorne discovers, however, that female redemption is followed by revenge, as Esther turns from saving her people to ensuring an end to their oppression. When Henry Adams later revives Esther Dudley in his novel Esther, he rejects male redemption for the American woman. In Democracy, Esther, Mont Saint Michel, and The Education of Henry Adams, Adams envisions an independent, eternal woman who can rival the political, scientific, artistic, and theological power of men. The movement from male to female salvation is achieved when the terms of female redemption are transformed and the American woman is established as her own source of divine wisdom, power, retribution, and force. The typology of female transfiguration in America is fulfilled by Fuller, Hawthorne, and Adams through the promise extended by the type of Esther.

More books from Lexington Books

Cover of the book Deconstructing Global Citizenship by Ariel Clark Silver
Cover of the book Globalization and Higher Education in Albania by Ariel Clark Silver
Cover of the book Rakugo by Ariel Clark Silver
Cover of the book The Assassination of William McKinley by Ariel Clark Silver
Cover of the book The Impact of YouTube on U.S. Politics by Ariel Clark Silver
Cover of the book Multiliterate Ireland by Ariel Clark Silver
Cover of the book The Conflict Between Secular and Religious Narratives in the United States by Ariel Clark Silver
Cover of the book Rationality and Epistemic Sophistication by Ariel Clark Silver
Cover of the book Wartime Culture in Guilin, 1938–1944 by Ariel Clark Silver
Cover of the book Witness from the Pulpit by Ariel Clark Silver
Cover of the book New Neoliberalism and the Other by Ariel Clark Silver
Cover of the book Enjoying Religion by Ariel Clark Silver
Cover of the book Sexuality, Rurality, and Geography by Ariel Clark Silver
Cover of the book Taking the Fight to the Enemy by Ariel Clark Silver
Cover of the book The Politics and Art of John L. Stoddard by Ariel Clark Silver
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy