The Cambridge Companion to Shakespeare on Stage

Fiction & Literature, Drama, British & Irish, Nonfiction, Entertainment, Performing Arts
Cover of the book The Cambridge Companion to Shakespeare on Stage by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139816465
Publisher: Cambridge University Press Publication: May 30, 2002
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139816465
Publisher: Cambridge University Press
Publication: May 30, 2002
Imprint: Cambridge University Press
Language: English

This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.

More books from Cambridge University Press

Cover of the book Rome and the Third Macedonian War by
Cover of the book Quranic Schools in Northern Nigeria by
Cover of the book The Operas of Maurice Ravel by
Cover of the book Enterprise-Wide Strategic Management by
Cover of the book Touch and Intimacy in First World War Literature by
Cover of the book Of Limits and Growth by
Cover of the book International Economic Law and National Autonomy by
Cover of the book Cognitive Neuroscience of Memory by
Cover of the book Decision Behaviour, Analysis and Support by
Cover of the book Economic Origins of Dictatorship and Democracy by
Cover of the book G. E. Moore: Early Philosophical Writings by
Cover of the book Deconstructing Cosmology by
Cover of the book Lattice Coding for Signals and Networks by
Cover of the book The Cambridge Companion to Electronic Music by
Cover of the book Managing the Risks of Extreme Events and Disasters to Advance Climate Change Adaptation by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy