The Concept of Evil in William Golding

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The Concept of Evil in William Golding by Katrin Annegarn, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Katrin Annegarn ISBN: 9783638600088
Publisher: GRIN Publishing Publication: January 25, 2007
Imprint: GRIN Publishing Language: English
Author: Katrin Annegarn
ISBN: 9783638600088
Publisher: GRIN Publishing
Publication: January 25, 2007
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Paderborn (Anglistik), 17 entries in the bibliography, language: English, abstract: As the motif of evil is the central theme in William Golding's work, I will consider in my term paper his definition of evil and its realization in his first two novelsLord of the Flies(1954) andThe Inheritors(1955). How did he under-stand this complex but central motif of human life and religion? Is there a general position towards evil that can be recognized in his work? Did he consider human beings as generally evil or generally good? - Thinking about the idea of 'evil', many questions arise. Trying to answer some of them, I will concentrate mainly on the book we talk about in class,The Inheritors,his second and - as he himself said - favourite novel. In summary,The Inheritorsdeals with evolution and the development of human beings. On the example of a Neanderthal group, Golding depicts the conflict between the Neanderthalers and the 'New Men'2,homo sapiens,which finally ends in the death of the Neanderthalers and the victory of the superiorhomo sapiens.But arehomo sapiensreally superior to the Neanderthalers? What is Golding's position? In a further step, I will examine Golding's first and most famous novel,Lord of the Flies(1954), for the idea of evil. Is the attitude he gives inThe In-heritorsthe same as inLord of the Flies?Or did his view change after the first novel? As a summary, I would like to give a final conclusion of Golding's un-derstanding of his central motif 'evil' and consider perspectives for further examinations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Paderborn (Anglistik), 17 entries in the bibliography, language: English, abstract: As the motif of evil is the central theme in William Golding's work, I will consider in my term paper his definition of evil and its realization in his first two novelsLord of the Flies(1954) andThe Inheritors(1955). How did he under-stand this complex but central motif of human life and religion? Is there a general position towards evil that can be recognized in his work? Did he consider human beings as generally evil or generally good? - Thinking about the idea of 'evil', many questions arise. Trying to answer some of them, I will concentrate mainly on the book we talk about in class,The Inheritors,his second and - as he himself said - favourite novel. In summary,The Inheritorsdeals with evolution and the development of human beings. On the example of a Neanderthal group, Golding depicts the conflict between the Neanderthalers and the 'New Men'2,homo sapiens,which finally ends in the death of the Neanderthalers and the victory of the superiorhomo sapiens.But arehomo sapiensreally superior to the Neanderthalers? What is Golding's position? In a further step, I will examine Golding's first and most famous novel,Lord of the Flies(1954), for the idea of evil. Is the attitude he gives inThe In-heritorsthe same as inLord of the Flies?Or did his view change after the first novel? As a summary, I would like to give a final conclusion of Golding's un-derstanding of his central motif 'evil' and consider perspectives for further examinations.

More books from GRIN Publishing

Cover of the book The impact of institutional structures on the behaviour of actors in the legislative process. The Case of the German Immigration Law by Katrin Annegarn
Cover of the book 'Journalism's Woodstock' - Old vs. New Journalism in a decade of change by Katrin Annegarn
Cover of the book Choose Your Words Wisely. How Laypeople's Health Decisions are Shaped by Presentation Format by Katrin Annegarn
Cover of the book Homi Bhaba's Third Space in Özpetek's Cinema by Katrin Annegarn
Cover of the book Privatisation of public space by Katrin Annegarn
Cover of the book Dewey versus Illich: Alternative Educational Utopias. by Katrin Annegarn
Cover of the book The Future Challenges of CyberSecurity by Katrin Annegarn
Cover of the book The principles and skills of project management should be taught much earlier by Katrin Annegarn
Cover of the book Individual Website Analysis by Katrin Annegarn
Cover of the book El momento fertil by Katrin Annegarn
Cover of the book 'Jewish Space' in Fin-De-Siècle Vienna and St. Petersburg: Residential, Occupational and Religious Patterns by Katrin Annegarn
Cover of the book Sex, Ads & Rock 'n Roll - Some Social Effects of MTV in Europe by Katrin Annegarn
Cover of the book British and German business culture by Katrin Annegarn
Cover of the book The origins and evolution of human language by Katrin Annegarn
Cover of the book Civil War Onset and the 'Third Debate' by Katrin Annegarn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy