The Scarecrow

Fiction & Literature, Literary Theory & Criticism
Cover of the book The Scarecrow by Ibrahim al-Koni, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ibrahim al-Koni ISBN: 9781477307090
Publisher: University of Texas Press Publication: August 1, 2015
Imprint: Center for Middle Eastern Studies, University of Texas at Austin Language: English
Author: Ibrahim al-Koni
ISBN: 9781477307090
Publisher: University of Texas Press
Publication: August 1, 2015
Imprint: Center for Middle Eastern Studies, University of Texas at Austin
Language: English
The Scarecrow is the final volume of Ibrahim al-Koni's Oasis trilogy, which chronicles the founding, flourishing, and decline of a Saharan oasis. Fittingly, this continuation of a tale of greed and corruption opens with a meeting of the conspirators who assassinated the community's leader at the end of the previous novel, The Puppet. They punished him for opposing the use of gold in business transactions—a symptom of a critical break with their nomadic past—and now they must search for a leader who shares their fetishistic love of gold. A desert retreat inspires the group to select a leader at random, but their "choice," it appears, is not entirely human. This interloper from the spirit world proves a self-righteous despot, whose intolerance of humanity presages disaster for an oasis besieged by an international alliance. Though al-Koni has repeatedly stressed that he is not a political author, readers may see parallels not only to a former Libyan ruler but to other tyrants—past and present—who appear as hollow as a scarecrow.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The Scarecrow is the final volume of Ibrahim al-Koni's Oasis trilogy, which chronicles the founding, flourishing, and decline of a Saharan oasis. Fittingly, this continuation of a tale of greed and corruption opens with a meeting of the conspirators who assassinated the community's leader at the end of the previous novel, The Puppet. They punished him for opposing the use of gold in business transactions—a symptom of a critical break with their nomadic past—and now they must search for a leader who shares their fetishistic love of gold. A desert retreat inspires the group to select a leader at random, but their "choice," it appears, is not entirely human. This interloper from the spirit world proves a self-righteous despot, whose intolerance of humanity presages disaster for an oasis besieged by an international alliance. Though al-Koni has repeatedly stressed that he is not a political author, readers may see parallels not only to a former Libyan ruler but to other tyrants—past and present—who appear as hollow as a scarecrow.

More books from University of Texas Press

Cover of the book Merchant Capital and Islam by Ibrahim al-Koni
Cover of the book Homegirls in the Public Sphere by Ibrahim al-Koni
Cover of the book The Cast Iron Forest by Ibrahim al-Koni
Cover of the book William Faulkner, Letters & Fictions by Ibrahim al-Koni
Cover of the book Sanctioning Modernism by Ibrahim al-Koni
Cover of the book Chicano Satire by Ibrahim al-Koni
Cover of the book Facundo and the Construction of Argentine Culture by Ibrahim al-Koni
Cover of the book Plants for Houston and the Gulf Coast by Ibrahim al-Koni
Cover of the book Words of the True Peoples/Palabras de los Seres Verdaderos: Anthology of Contemporary Mexican Indigenous-Language Writers/Antología de Escritores Actuales en Lenguas Indígenas de México by Ibrahim al-Koni
Cover of the book Guatemalan Indians and the State by Ibrahim al-Koni
Cover of the book Handbook of Middle American Indians, Volumes 7 and 8 by Ibrahim al-Koni
Cover of the book The Emergence of Kurdish Nationalism and the Sheikh Said Rebellion, 1880–1925 by Ibrahim al-Koni
Cover of the book Handbook of Middle American Indians, Volume 5 by Ibrahim al-Koni
Cover of the book The Child Who Walks Alone by Ibrahim al-Koni
Cover of the book Miners, Merchants, and Farmers in Colonial Colombia by Ibrahim al-Koni
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy